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With peter bogdanovich, kevin brownlow, allen daviau, curtis harrington.
Nov 12, 2018 they made seven movies together between 1930 and 1935, all of them essential for any cinema lover: the blue angel (1930), morocco (1930),.
Mar 1, 2019 analysing in depth the last four films on which sternberg and dietrich worked together, phillips reconstructs the cinematic philosophy that.
Following the failure of thunderbolt (1929), von sternberg went back to germany and cast the then-unknown marlene dietrich in the blue angel (1930) which.
Dietrich made several more films with von sternberg, including dishonored (1931), shanghai express (1932) and the scarlet empress (1934), in which she played the famed member of russian royalty.
From her the tone of her voice – deep in the lower registers, distinctive with its bavarian rhotacism – to the arch of her brow, framing alluringly languid lids, the late actress is an icon of cinema, fashion and politics alike.
The sternberg/dietrich films, but those films have been examined only recently within the context of revised feminist film theory and merit further analysis, as i will.
The seven films in which josef von sternberg directed marlene dietrich constitute one of the most dazzling runs of creativity in the history of the movies.
The devil is a woman is the final film starring marlene dietrich made by director josef von sternberg. The identifying characteristics of the von sternberg/dietrich collaboration, including the ambiguity, often difficult for viewers to accept, are evident here.
Josef von sternberg directed germany’s first “all talkie”. Josef von sternberg and marlene dietrich would make 7 movies together. 4 of their movies would be in von sternberg’s top 5 box office hits.
Students of history might want to steer clear of josef von sternberg ’s “the scarlet empress,” a 1934 drama starring marlene dietrich as catherine the great of russia.
Her glory years as the muse of josef von sternberg long gone, marlene dietrich had been labelled “box-office poison” and was sulking on the french riviera when the producer joe pasternak summoned her back to hollywood to star opposite james stewart in george marshall's destry rides again (1939).
A look at marlene dietrich and her trailblazing modern style the german siren was a trailblazer in pushing the boundaries of fashion's gender constructs, stood firm for her political beliefs, and captured the world's imagination.
The collaboration between filmmaker josef von sternberg and actress marlene dietrich is one of the most enduring in all hollywood cinema. Tasked by paramount bosses to find ‘the next big thing’, director von sternberg lighted upon german silent star dietrich and brought her to hollywood.
James phillips’s sternberg and dietrich: the phenomenology of spectacle reappraises the cinematic collaboration between the austrian-american filmmaker josef von sternberg (1894–1969) and the german-american actor marlene dietrich (1901–1992).
Dietrich herself claimed her talent was realized only after being discovered by josef von sternberg. A new yorker who added the ‘von’ to his name for teutonic gravitas, sternberg was hired in 1930 to direct germany’s first major talkie, the blue angel, in english and german versions.
Sternberg cast the then little-known marlene dietrich as lola lola, the female lead and nemesis of jannings character professor immanuel rath, whose passion for the young cabaret singer would reduce him to a spectacular cuckold.
The most legendary was marlene dietrich, whom he ‘discovered’ in germany for the blue angel (1930), brought back to hollywood, and transformed into one of the screen’s most indelible icons. Like other such european émigrés as robert florey and erich von stroheim, von sternberg fell foul of the hollywood system he helped define.
What are the differences between the boxed sets of dietrich and von sternberg’s films by criterion and indicator? press j to jump to the feed. Press question mark to learn the rest of the keyboard shortcuts.
Six months after the massive success of their other 1932 collaboration, shanghai express, marlene dietrich and josef von sternberg tackled.
Curiously, one of the most precise analyses of the films that josef von sternberg and marlene dietrich made together comes from a single page of an essay that.
In the realm of pleasure: von sternberg, dietrich, and the masochistic aesthetic (a morningside book) gaylyn studlar. Published by columbia university press 1993-03-18 (1993) isbn 10: 0231082339 isbn 13: 9780231082334.
Dietrich remained a star, utilising the persona crafted here in great later films such as destry rides again and touch of evil. But in this collection which, as von sternberg puts it, “might pose many a problem but never offers any solution,” we see the ultimate synthesis of star and director, a true cinematic philosophy.
The collaboration of marlene dietrich and josef von sternberg is one of the most remarkable ones in hollywood. He made her into an icon, transformed her from a berlin suburban girl into a star. She in return was his long-time muse that allowed his career to flourish and for him to become a true rococo cinema master to be remembered.
The dietrich and von sternberg partnership reached its visual climax with one of the most opulent and outrageous hollywood epics of the era, the scarlet empress, a loose, eye-filling adaptation of the diaries of catherine the great. Dietrich stars as the wide-eyed young sophia, who is selected by russia's imperious empress elizabeth (dresser.
Von sternberg and dietrich worked together on six more films for paramount pictures through the early 1930s, all lavish, lush productions that bring hollywood art and craft to stories of sexuality and power with exotic overtones and fetishistic undercurrents.
Dietrich and von sternberg then decided to tackle the flamboyant life of russian empress catherine the great. Historical dramas were in vogue thanks to greta garbo's iconic performance in queen christina (1933), and the talents of dietrich and von sternberg were perfectly suited to the glamour and intrigue in the russian imperial court.
Aug 31, 2018 in his autobiography fun in a chinese laundry, the filmmaker josef von sternberg described the first time he gazed upon marlene dietrich,.
Director josef von sternberg, who discovered her in a berlin cabaret and brought her to hollywood, acted as the actress’ mentor. Sternberg directed dietrich in the 1930 german version of der blaue.
One of hollywood's premier directors during the 1930s, josef von sternberg was mainly remembered for his seven films with german actress marlene dietrich.
Mar 1, 2019 considered by his contemporaries one of the most significant directors of interwar hollywood, sternberg made seven films with dietrich that.
He is particularly noted for his distinctive mise en scène, use of lighting and soft lens, and seven-film collaboration with actress marlene dietrich.
Book description: josef von sternberg's 1930 filmthe blue angel (der blaue engel) is among the best known films of the weimar republic (1919-1933). A significant landmark as one of germany's first major sound films, it is known primarily for launching marlene dietrich into hollywood stardom and for initiating the mythic pairing of the austrian-born american director von sternberg with the star.
The author's examination of the von sternberg/dietrich collaborations shows how these films, with the mother figure embodied in the alluring yet androgynous.
Josef von sternberg and marlene dietrich went out with a bang in their final film together, the devil is a woman, a surreal tale of erotic passion and danger set amid the tumult of carnival in turn-of-the-twentieth-century spain. Through a series of flashbacks, captain costelar (lionel atwill) recounts to the young antonio galvan (cesar romero.
The devil is a woman josef von sternberg and marlene dietrich went out with a bang in their final film together, the devil is a woman, a surreal tale of erotic passion and danger set amid the tumult of carnival in turn-of-the-twentieth-century spain.
Marlene dietrich's image jumps off the screen or the page with that look. Beginning with her first paramount film in 1930, she was dressed by travis banton.
Find the location of josef von sternberg's star on the hollywood walk of fame, read a biography, see related stars and browse a map of important places in their.
Dietrich’s portrayal of lola lola would be extremely influential in the creation of the femme fatale personae that dominated the hollywood film noir cycle of films. The key to the strange power wielded by lola lola is due to the extraordinary sexuality that sternberg gives to dietrich.
Whatever its various effects, the dietrich-sternberg collaboration was anything but typical, and its success did not last for long. Although dietrich’s salary in the mid ’30s was enormous, she was never listed among the top ten box-office attractions, and depression-era audiences often felt she was preposterously exotic.
After dietrich parted ways with von sternberg, paramount tried her in lighter, but sophisticated comedies. There’s the delightful jewel-thief romp desire, which reunited her with her morocco co-star gary cooper, and angel, an elegant, adult paris-set comedy drenched in the bittersweet pleasures of the famed “lubitsch touch”.
At odds with paramount and their individual contracts expired, sternberg and dietrich conceived of forming an independent company in germany. Sternberg had no objections when dietrich was scheduled to star in rouben mamoulian’s the song of songs (1933). When dietrich balked at the assignment, paramount quickly sued her for losses.
Jun 30, 2018 marlene dietrich's six paramount pictures for josef von sternberg arrive in a beautifully annotated disc set: morocco, dishonored, shanghai.
Von sternberg made six sound films in hollywood during this period starring german vaudeville and theatre actress marlene dietrich — morocco (1930), dishonored (1931), shanghai express (1932),.
Sternberg mastered every facet of visual storytelling, and his direction of crowd scenes is particularly noteworthy. The film gets off to a brilliant start, but i feel the construction of the last act could have benefited from a little more thought.
James phillips's sternberg and dietrich: the phenomenology of spectacle reappraises the cinematic collaboration between the austrian-american filmmaker.
In 1930, director josef von sternberg helmed the blue angel, the first full-length talkie in german film history. The star of the film was emil jannings, making his sound debut, but the most important relationship formed on the production was between von sternberg and then-unknown marlene dietrich, who von sternberg cast in the role of lola lola despite having already signed actress kathe.
The film career of marlene dietrich burst into enduring prominence in 1930, with josef von sternberg’s “the blue angel,” and they made six more films together, including “dishonored.
Von sternberg’s seven films with dietrich, from the blue angel (1930) to the devil is a woman (1935), are like sittings for the most besotted set of portraits cinema could license.
Apr 4, 2014 josef von sternberg, the devil is a woman, 1935, 35 mm, black-and-white, sound, 79 minutes.
Fingerprint dive into the research topics of 'sternberg and dietrich: the phenomenology of spectacle'.
Camp is the outrageous aestheticism of sternberg's american movies with dietrich - susan sontag if you read josef von sternberg's fun in a chinese laundry, his vastly entertaining autobiography.
May 10, 2020 nothing, not even josef von sternberg's earlier films with marlene dietrich, anticipates the stylistic aggression of the scarlet empress,.
Sep 28, 2018 so boasts a cocksure gary cooper in 1930's morocco, the hollywood premier of star marlene dietrich and director josef von sternberg.
This work examines the way in which the unique partnership of director ( sternberg), star (marlene dietrich), studio (paramount), and designer (travis banton).
James phillips's sternberg and dietrich: the phenomenology of spectacle reappraises the cinematic collaboration between the austrian-american filmmaker josef von sternberg (1894-1969) and the german-american actor marlene dietrich (1901-92).
Dietrich and von sternberg followed blonde venus with the scarlet empress, which takes the ornate cinematography of their past collaborations to its logical conclusion. The film is so over-the-top, so elaborate and melodramatic and deliriously opulent, it reliably induces vertigo.
The film is the sixth of seven collaborations between von sternberg and marlene dietrich, and the strangest. It juxtaposes a russia of gigantic grotesque gargoyles and overdressed towering hussars with the giggling imbecility of the grand duke peter and lingering fetishistic closeups of dietrich's cold, erotic face.
The transgressive adventures of marlene dietrich and josef von sternberg the pair’s six pre-code paramount films remain the ultimate synthesis of star and director. E verything and nothing is left to the imagination in the films of marlene dietrich and josef von sternberg.
Aug 20, 2018 director josef von sternberg and actor marlene dietrich fashioned films together that feel more vitally strange and neurotic than ever before,.
The films of sternberg that starred dietrich were produced during the beginning of the depression. The kind of feminization of men that mcelvaine speaks of can be seen in the sternberg/dietrich films, but those films have been examined only recently within the context of revised feminist film theory and merit further analysis, as i will discuss.
A cabaret singer and a legionnaire fall in love, but their relationship is complicated by the results of his womanizing and due to the appearance of a rich man who wants her for himself.
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